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Canciones MP3 De Knights Of Cydonia

1300+ Guitar Tunings
The song's title comes in part from the region of Mars named Cydonia , famous for the " face on Mars ". In , Eve of Summer recorded a remix. Also performed at this event were " Supermassive Black Hole " and " Starlight ", the first two singles from Black Holes and Revelations. Live performances of "Knights of Cydonia" give Matt Bellamy 's intro falsetto more prominence than its studio counterpart, along with Dominic Howard 's introductory drum pattern being included in the performance. Other live additions include Bellamy playing an extra guitar part during the solo at the end of song, Howard ending the song with a short drum solo and the coda of " Space Dementia " played as a finale.
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Come ride with me Through the veins of history I'll show you a God who falls asleep on the job How can we win, when fools can be kings? Don't waste your time or time will waste you No one's gonna take me alive The time has come to make things right You and I must fight for our rights You and I must fight to survive No one's gonna take me alive The time has come to make things right You and I must fight for our rights You and I must fight to survive No one's gonna take me alive The time has come to make things right You and I must fight for our rights You and I must fight to survive. The song reached 10 on the UK Singles Chart, and was voted 1 for the Triple J Hottest of , defeating second place "Straight Lines" by Silverchair by just 13 votes: the closest margin yet. The song is a Western-inspired progressive rock piece, with a running time of It begins with an intro and then a guitar riff, which leads into the song's long instrumental. Knights of Cydonia Japan : Sign In Don't have an account? Start a Wiki. Knights of Cydonia Lyrics edit. Categories :.
Taking its cues from Mariachi bands and the 'Doctor Who' theme tune, the track sounds like a soundtrack to a spaghetti western set in the far reaches of the galaxy and features a chain-smoking trumpeter called Franco. The track begins and ends in the key of E minor. Chris has described the song as "40 years of rock history in six minutes". Plus lots of fairly ridiculous '70s stuff too. When we started it, we decided to be quite open going into it. We knew we wanted to do something different.